noice.
![](https://static.wixstatic.com/media/aa8a86_1f3dd0f06b6f48d6bc87a30bf864977b~mv2_d_1994_2000_s_2.jpg/v1/fill/w_980,h_983,al_c,q_85,usm_0.66_1.00_0.01,enc_auto/aa8a86_1f3dd0f06b6f48d6bc87a30bf864977b~mv2_d_1994_2000_s_2.jpg)
Portrait Shoot with Travis. American University, Washington DC. 2018
Minolta Autocord (1958) || Rokkor Chiyoko 75mm f/3.5 • Kodak Ektar 100 (C41 Unicolor Kit)
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So this year I returned to analog, because I needed to continue my growth as an artist. I needed to improve my approach with the light by working more with strobes and off-camera lighting, and to re-learn how to stop overshooting. What I have learned is that both of those issues are resolved with improvements to visualization and the pace you set for yourself in the craft.
I found the slow pace provided by film (with analog you need to purchase film, then process it, dry it, scan, and then edit) is what I needed, as it enables me to think more of the quality of the image and therefore subject. Here I only set one strobe, about 45 degrees to my right.
As I continue to shoot in film, I occasionally find myself shooting digital with the same pace. Overtime that will just be part of how I shoot.
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